A Striptease in Pink Limelight: Removing the Veil between the Subjective and the Objective

Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/123456789/1926

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DC Field	Value	Language
dc.creator	Eugene de Klerk	-
dc.date	2005	-
dc.date.accessioned	2013-05-29T21:00:15Z	-
dc.date.available	2013-05-29T21:00:15Z	-
dc.date.issued	2013-05-30	-
dc.identifier	http://www.sharp.arts.gla.ac.uk/issue5/deKlerk.pdf	-
dc.identifier	http://www.doaj.org/doaj?func=openurl&genre=article&issn=17424542&date=2005&volume=&issue=Five&spage=	-
dc.identifier.uri	http://koha.mediu.edu.my:8181/jspui/handle/123456789/1926	-
dc.description	Surrealism attempted to demonstrate the permeability of any barrier set up between subjective and objective reality. Not only did Dali revolutionise this project, he also pre-empted much of Lacanian psychoanalytic theory in the process. This paper argues for Dali's influence on Lacan as well his complex contribution (through the theory underpinning his Paranoid-Critical method) to any dialectical understanding of materiality.	-
dc.publisher	University of Glasgow	-
dc.source	eSharp	-
dc.subject	Surrealism	-
dc.title	A Striptease in Pink Limelight: Removing the Veil between the Subjective and the Objective	-
Appears in Collections:	Arts and Architecture

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