Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/123456789/2022
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dc.creatorBo Wah Leung-
dc.creatorPaulina Wong-
dc.date2005-
dc.date.accessioned2013-05-29T21:25:31Z-
dc.date.available2013-05-29T21:25:31Z-
dc.date.issued2013-05-30-
dc.identifierhttp://www.ucm.es/info/reciem/v2n1_english.pdf-
dc.identifierhttp://www.doaj.org/doaj?func=openurl&genre=article&issn=16987454&date=2005&volume=2&issue=1&spage=-
dc.identifier.urihttp://koha.mediu.edu.my:8181/jspui/handle/123456789/2022-
dc.descriptionThis paper aims at identifying and recording good music teaching practices that promote social inclusion, and at developing effective teaching strategies that incorporate student perspectives into the pedagogies. A music teacher in Hong Kong was selected for this study, and two different classes of Form 2 (ages 12-13) were observed. The teaching process was videotaped and reviewed. Afterwards the teacher and a group of students were invited to participate in a semi-structured interview to solicit their ideas towards good practice of music teaching. Findings reveal that the good practices observed were attributed to four factors: 1) teacher’s personality, 2) teacher’s pedagogy, 3) teacher’s musical competence, and 4) teacher’s philosophy of teaching.-
dc.publisherUniversidad Complutense de Madrid-
dc.sourceRevista Electrónica Complutense de Investigación en Educación Musical-
dc.subjectmusic-
dc.subjectsecondary schools-
dc.subjectteaching effectiveness-
dc.titleMatching music teacher’s self conception with students’ perception on teaching effectiveness in an unfavourable secondary classroom context-
Appears in Collections:Arts and Architecture

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