Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/123456789/2187
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dc.creatorFrost, Gary-
dc.date2006-
dc.date.accessioned2013-05-29T21:53:06Z-
dc.date.available2013-05-29T21:53:06Z-
dc.date.issued2013-05-30-
dc.identifierhttp://www.philobiblon.com/bonefolder/vol3no1contents.htm-
dc.identifierhttp://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2006&volume=3&issue=1&spage=10-
dc.identifier.urihttp://koha.mediu.edu.my:8181/jspui/handle/123456789/2187-
dc.descriptionOf all the artful approaches to the book, the art of the book conservator is particularly obscure. It is an enclave art with a peculiar finesse for the handle and appearance of historical craft work and a stylistic sensitivity to cultures and book environments across time. To add to its strangeness, the creativity of this art is suppressed by prescribed treatment practice and, contrary to artistic convention, the practice promotes its own invisibility and anonymity. Finally, it is probable that this strange art is crucial to the treatment outcome while it secretly inspires the book conservator.-
dc.publisherThe Book Arts Web - Peter D. Verheyen-
dc.sourceThe Bonefolder, an e-journal for the bookbinder and book artist-
dc.subjectGary Frost-
dc.subjectBook Conservation-
dc.subjectAesthetics-
dc.titleAesthetics of Book Conservation-
Appears in Collections:Arts and Architecture

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