Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/123456789/2205
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dc.creatorMeador, Clifton-
dc.date2007-
dc.date.accessioned2013-05-29T21:56:06Z-
dc.date.available2013-05-29T21:56:06Z-
dc.date.issued2013-05-30-
dc.identifierhttp://www.philobiblon.com/bonefolder/vol3no2contents.htm-
dc.identifierhttp://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2007&volume=3&issue=2&spage=3-
dc.identifier.urihttp://koha.mediu.edu.my:8181/jspui/handle/123456789/2205-
dc.descriptionFrom a talk originally delivered at the November 2006 Pyramid Atlantic Book Arts ConferenceThere is more interest in book arts now than ever before: dozens of colleges and art schools offer classes in book arts, and centers of book art have been created in nearly every large city in America. Opportunities for education in the book arts abound, and it seems as though something significant is changing in the way people talk about the book arts. A discipline is evolving, a conceptual framework for thinking about making books is emerging.-
dc.publisherThe Book Arts Web - Peter D. Verheyen-
dc.sourceThe Bonefolder, an e-journal for the bookbinder and book artist-
dc.subjectClifton Meador-
dc.subjectBook Arts-
dc.subjectDiscipline-
dc.subjectTeaching-
dc.subjectEducation-
dc.subjectCurriculum-
dc.titleDisciplining a Craft-
Appears in Collections:Arts and Architecture

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