Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/123456789/2217
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dc.creatorRunnells, Jamie-
dc.date2007-
dc.date.accessioned2013-05-29T21:58:06Z-
dc.date.available2013-05-29T21:58:06Z-
dc.date.issued2013-05-30-
dc.identifierhttp://www.philobiblon.com/bonefolder/vol3no2contents.htm-
dc.identifierhttp://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2007&volume=3&issue=2&spage=33-
dc.identifier.urihttp://koha.mediu.edu.my:8181/jspui/handle/123456789/2217-
dc.descriptionDigitally produced books don’t seem to be taken as seriously as books produced by traditional techniques. While there are as many reasons for this bias as there are book artists, one clear reason is that digitally produced work often results in poor image/type quality (unintentional bitmapping, pixilation, line or moiré patterns, and jaggies. This article helps explain some of these issues and offers suggestions on improving output.-
dc.publisherThe Book Arts Web - Peter D. Verheyen-
dc.sourceThe Bonefolder, an e-journal for the bookbinder and book artist-
dc.subjectJamie Runnells-
dc.subjectresolution-
dc.subjectprint output-
dc.subjectlaser-
dc.subjectink jet-
dc.subjectpixelation-
dc.subjectdigital printing-
dc.titleBeautiful Books Digitally-
Appears in Collections:Arts and Architecture

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