Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/123456789/2721
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dc.creatorSelen MORKOÇ-
dc.date2007-
dc.date.accessioned2013-05-29T23:22:24Z-
dc.date.available2013-05-29T23:22:24Z-
dc.date.issued2013-05-30-
dc.identifierhttp://jfa.arch.metu.edu.tr/archive/0258-5316/2007/cilt24/sayi_2/83-104.pdf-
dc.identifierhttp://www.doaj.org/doaj?func=openurl&genre=article&issn=02585316&date=2007&volume=24&issue=2&spage=83-
dc.identifier.urihttp://koha.mediu.edu.my:8181/jspui/handle/123456789/2721-
dc.publisherMiddle East Technical University / Faculty of Architecture-
dc.sourceMiddle East Technical University Journal of the Faculty of Architecture-
dc.subjectOrientalism-
dc.subjecthermeneutics-
dc.subjectcity-
dc.subjecteast-west-
dc.subjectself-other-
dc.subjectcomparative interpretation.-
dc.titleCITY AND SELF IN THREE ACCOUNTS OF İSTANBUL: LORICHS' PANORAMA (1559), LE CORBUSIER'S TRAVELOGUE (1911), PAMUK'S MEMOIR (2005)-
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