"The reservoir": towards a poetic model of research in design

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DC Field	Value	Language
dc.creator	Rosenberg, Terence	-
dc.date	2000	-
dc.date.accessioned	2013-05-29T23:34:25Z	-
dc.date.available	2013-05-29T23:34:25Z	-
dc.date.issued	2013-05-30	-
dc.identifier	http://sitem.herts.ac.uk/artdes_research/papers/wpades/vol1/rosenberg2.html	-
dc.identifier	http://www.doaj.org/doaj?func=openurl&genre=article&issn=14664917&date=2000&volume=1&issue=&spage=	-
dc.identifier.uri	http://koha.mediu.edu.my:8181/jspui/handle/123456789/2792	-
dc.description	Before setting out a sketch of what poetic research may be this paper describes briefly two polar philosophical attitudes to research- one that grounds in methodological rigour and the other that is in the main anti-methodological. The paper then sets aside the notion of these polar attitudes to consider two impulses in work (research/practice)- the centripetal and the centrifugal (drawing on Bakhtin) and sets out the poetic as a co-efficient that conditions the relationship between the two. A metaphorical image, the Reservoir, is then introduced that allows one to map these forces and organise a (re)search in which the active imagination is foregrounded. The reservoir may be used at various points of a programme of creative practice and for different ends- to generate, to build and to analyse.	-
dc.publisher	University of Hertfordshire	-
dc.source	Working papers in Art & Design	-
dc.title	"The reservoir": towards a poetic model of research in design	-
Appears in Collections:	Arts and Architecture

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