Collaborating with the Dead

Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/123456789/3038

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DC Field	Value	Language
dc.creator	Cummins, Maureen	-
dc.date	2008	-
dc.date.accessioned	2013-05-30T00:15:54Z	-
dc.date.available	2013-05-30T00:15:54Z	-
dc.date.issued	2013-05-30	-
dc.identifier	http://www.philobiblon.com/bonefolder/vol4no2contents.htm	-
dc.identifier	http://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2008&volume=4&issue=2&spage=11	-
dc.identifier.uri	http://koha.mediu.edu.my:8181/jspui/handle/123456789/3038	-
dc.description	I began printing limited edition books in 1990, and for the first five years I did what I thought one was supposed to do when one started a press: I printed the works of celebrated dead writers. But as challenging as that process was – I was juggling the tasks of editor, artist, letterpress printer, designer, typographer, bookbinder, salesperson, and accountant – I began to feel restless. The romantic, beautifully illustrated books that I’d been producing bore little relation to my own life as a struggling artist in the East Village, and I sensed that there was more of myself that I could bring to the process.	-
dc.publisher	The Book Arts Web - Peter D. Verheyen	-
dc.source	The Bonefolder, an e-journal for the bookbinder and book artist	-
dc.subject	Maureen Cummins	-
dc.subject	artist's books	-
dc.subject	artists' books	-
dc.subject	collaboration	-
dc.title	Collaborating with the Dead	-
Appears in Collections:	Arts and Architecture

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