Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/123456789/3053
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dc.creatorRash, Don-
dc.date2008-
dc.date.accessioned2013-05-30T00:18:32Z-
dc.date.available2013-05-30T00:18:32Z-
dc.date.issued2013-05-30-
dc.identifierhttp://www.philobiblon.com/bonefolder/vol4no2contents.htm-
dc.identifierhttp://www.doaj.org/doaj?func=openurl&genre=article&issn=15556565&date=2008&volume=4&issue=2&spage=36-
dc.identifier.urihttp://koha.mediu.edu.my:8181/jspui/handle/123456789/3053-
dc.descriptionIn late 2007 I was asked to do a presentation binding for a copy of a book dealing with a long-held family heirloom. The requirements of full title and author stamped on the front board as well as an inset photograph led me to utilize a split-board technique that I had used previously. This method allowed me to detach the outer covering elements, title and tool as needed, then reattach to the inner boards and the textblock.-
dc.publisherThe Book Arts Web - Peter D. Verheyen-
dc.sourceThe Bonefolder, an e-journal for the bookbinder and book artist-
dc.subjectDon Rash-
dc.subjectfine bookbinding-
dc.subjectsplit board binding-
dc.titleVariation on the Split Board Binding-
Appears in Collections:Arts and Architecture

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