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dc.creatorMassimiliano Barbera-
dc.date2003-
dc.date.accessioned2013-05-30T13:27:14Z-
dc.date.available2013-05-30T13:27:14Z-
dc.date.issued2013-05-30-
dc.identifierhttp://www.humnet.unipi.it/slifo/articolobarbera.pdf-
dc.identifierhttp://www.doaj.org/doaj?func=openurl&genre=article&issn=17245230&date=2003&volume=1&issue=&spage=1-
dc.identifier.urihttp://koha.mediu.edu.my:8181/jspui/handle/123456789/5772-
dc.descriptionThe presence of sea terms and metaphors in the linguistic studies begins with Sapir s idea of drift . But we can point out a notable increase of the marine vocabulary in the non-linear phonology. Bolinger develops a large metaphorical reasoning in order to interpret and represent the vocal instrument and, above all, the intonation as a multi-dimensional and thalassomorphic matter; in particular he emphasizes how emotional aspects give rise to vocal tides. Afterwards Goldsmith and the autosegmental phonology enlarge the use of definers (just like drift ) drawn from marine and maritime world, involving specific and complex linguistic phenomena (e.g. vowel armony). Remarkable the idea of anchoring : we can suppose it has filtered out in Optimality Theory from the Connexionist background and, probably, from a larger use in psychological and cognitive sciences.-
dc.publisherUniversità di Pisa, Dipartimento di Linguistica-
dc.sourceStudi Linguistici e Filologici Online-
dc.titleIl mare nella voce. Note su alcune metafore nella fonologia non lineare-
Appears in Collections:Languages and Literatures

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