Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/1721.1/5850
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dc.creatorSmoliar, Stephen-
dc.date2004-10-01T20:49:33Z-
dc.date2004-10-01T20:49:33Z-
dc.date1967-04-01-
dc.date.accessioned2013-10-09T02:41:33Z-
dc.date.available2013-10-09T02:41:33Z-
dc.date.issued2013-10-09-
dc.identifierAIM-129-
dc.identifierhttp://hdl.handle.net/1721.1/5850-
dc.identifier.urihttp://koha.mediu.edu.my:8181/xmlui/handle/1721-
dc.descriptionThe electronic medium has vastly increased the amount of material available to the contemporary composer. The various pieces of electronic equipment available today allow one to produce any conceivable sound; yet because of the complex nature of their output, these devices are generally difficult to control and the composer of electronic music may take several hours to prepare but a few minutes of his creation. EUTERPE was designed during the summer of 1966 by Marvin Minsky as a "real-time" music program" to be used at a teletype which was a direct link with a digital computer. The program is an interpreter and compiler, basically a translation device to convert symbolic input into internal machine language of a computer. The symbolic input consists of yup to six "voice-programs" which are strings of words.-
dc.format11 p.-
dc.format8790030 bytes-
dc.format241707 bytes-
dc.formatapplication/postscript-
dc.formatapplication/pdf-
dc.languageen_US-
dc.relationAIM-129-
dc.titleEUTERPE A Computer Language for the Expression of Musical Ideas-
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