What's in a Tune

Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/1721.1/6227

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DC Field	Value	Language
dc.creator	Bamberger, Jeanne	-
dc.date	2004-10-04T14:46:35Z	-
dc.date	2004-10-04T14:46:35Z	-
dc.date	1974-11-01	-
dc.date.accessioned	2013-10-09T02:44:19Z	-
dc.date.available	2013-10-09T02:44:19Z	-
dc.date.issued	2013-10-09	-
dc.identifier	AIM-314	-
dc.identifier	http://hdl.handle.net/1721.1/6227	-
dc.identifier.uri	http://koha.mediu.edu.my:8181/xmlui/handle/1721	-
dc.description	The work reported here began with two fundamental assumptions: 1) The perception of music is an active process; it involves the individual in selecting, sorting, and grouping the features of the phenomena before her. 2) Individual differences in response to a potentially sensible melody rest heavily on just which features the individual has access to or is able to focus on.	-
dc.format	5564519 bytes	-
dc.format	4103245 bytes	-
dc.format	application/postscript	-
dc.format	application/pdf	-
dc.language	en_US	-
dc.relation	AIM-314	-
dc.title	What's in a Tune	-
Appears in Collections:	MIT Items

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