"A dissonant element" : the difficulty of Anais Nin

Please use this identifier to cite or link to this item: http://dspace.mediu.edu.my:8181/xmlui/handle/1957/5711

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DC Field	Value	Language
dc.contributor	Helle, Anita	-
dc.contributor	Ede, Lisa	-
dc.date	2007-06-29T21:23:52Z	-
dc.date	2007-06-29T21:23:52Z	-
dc.date	2007-06-19	-
dc.date	2007-06-29T21:23:52Z	-
dc.date.accessioned	2013-10-16T07:54:07Z	-
dc.date.available	2013-10-16T07:54:07Z	-
dc.date.issued	2013-10-16	-
dc.identifier	http://hdl.handle.net/1957/5711	-
dc.identifier.uri	http://koha.mediu.edu.my:8181/xmlui/handle/1957/5711	-
dc.description	Graduation date: 2008	-
dc.description	This thesis is arranged in three main chapters, each of which focuses on a particular type of Anaїs Nin text, and each of which is intended to enlarge Nin's complexities through distinct but overlapping perspectives. The idea connecting these three chapters is that Nin, who has been radically misrepresented by her critics, is a multi-vocal, experimental writer who has not received fair critical attention: a critical attention which seeks to explore her complexities rather than diminishing her writing. Using the writing of Nin critics as well as theorists such as Roland Barthes and Judith Butler, this thesis seeks to offer a different kind of critical approach to Nin's work which allows Nin, as an experimental artist, to guide us on her own terms.	-
dc.language	en_US	-
dc.subject	Anais Nin	-
dc.title	"A dissonant element" : the difficulty of Anais Nin	-
dc.type	Thesis	-
Appears in Collections:	ScholarsArchive@OSU

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