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"The reservoir": towards a poetic model of research in design

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dc.creator Rosenberg, Terence
dc.date 2000
dc.date.accessioned 2013-05-29T23:34:25Z
dc.date.available 2013-05-29T23:34:25Z
dc.date.issued 2013-05-30
dc.identifier http://sitem.herts.ac.uk/artdes_research/papers/wpades/vol1/rosenberg2.html
dc.identifier http://www.doaj.org/doaj?func=openurl&genre=article&issn=14664917&date=2000&volume=1&issue=&spage=
dc.identifier.uri http://koha.mediu.edu.my:8181/jspui/handle/123456789/2792
dc.description Before setting out a sketch of what poetic research may be this paper describes briefly two polar philosophical attitudes to research- one that grounds in methodological rigour and the other that is in the main anti-methodological. The paper then sets aside the notion of these polar attitudes to consider two impulses in work (research/practice)- the centripetal and the centrifugal (drawing on Bakhtin) and sets out the poetic as a co-efficient that conditions the relationship between the two. A metaphorical image, the Reservoir, is then introduced that allows one to map these forces and organise a (re)search in which the active imagination is foregrounded. The reservoir may be used at various points of a programme of creative practice and for different ends- to generate, to build and to analyse.
dc.publisher University of Hertfordshire
dc.source Working papers in Art & Design
dc.title "The reservoir": towards a poetic model of research in design


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